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Creative House

A graphic design agency for companies' design needs

The hard part of graphic design isn't making one piece look good; it's speaking the same language on the tenth. At Creative House, graphic production runs as a continuous service: from campaign visuals to catalogue spreads, presentations to packaging, every piece comes out of the same brand memory. That's why the work doesn't look like strangers when placed side by side. If your company needs a graphic designer, first clarify whether the work is ongoing. At Creative House, I manage catalogues, packaging, presentations and campaign visuals through a shared approval process; individual freelance deliverables are covered by my personal services.

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Who this is for

  • Organisations with ongoing design needs who don't want to find a new supplier each time.
  • Marketing teams whose production load spikes during campaigns.
  • Brands struggling to keep print and digital speaking the same language.
  • Companies heading into an intense production period: a fair, a catalogue, a launch.

What I usually find

  • Every job goes to a different designer, so the brand language slips a little each time.
  • Print files aren't technically ready, and surprises appear at the printer.
  • There's no presentation or document template; everyone rebuilds their own from scratch.
  • Source files are scattered; last year's work can't be picked back up.
  • Each channel gets its own visual for the same campaign, none aware of the others.

Scope and deliverables

Monthly volume and priority order are agreed together.

  • Campaign and advertising design, with adaptations for digital and print channels.
  • Social media visuals: post, cover and story layouts.
  • Catalogues and brochures: page layout, grid system and print-ready files.
  • Presentations and infographics: corporate presentation templates and data visualisation.
  • Packaging design: surface design and print file preparation.
  • Corporate materials: document templates, business cards, stationery layout.
  • Channel materials: roll-ups, exhibition stand graphics, billboards, vehicle wraps, flyers.
  • Source file order: work delivered so it can be found and reused.

I make the call; the system speeds it up

Creative direction and the final design come from me.

Meet the AI team

Graphic production work

Below are catalogue, channel and campaign productions. Each detail page states the scope.

How it runs

  1. 01

    Brief

    Purpose, channel, dimensions and deadline are collected in one place.

  2. 02

    Direction

    For a new campaign, direction work comes first; for ongoing production, it ties into the existing language.

  3. 03

    Production

    Design, revisions and channel adaptations.

  4. 04

    Technical check

    Colour profile, bleed and resolution checks on anything going to print.

  5. 05

    Delivery and archive

    Ready-to-use files plus organised source files.

What I don't do

Saying where production ends makes the work easier.

  • I don't take on printing; I deliver print-ready files and printing procurement stays with you.
  • I don't shoot photography or video.
  • Purchasing stock image licences is a separate line item; I don't use unlicensed imagery.
  • One-off freelance graphic jobs aren't what this agency service is for.
  • I don't commit to a fixed number of jobs per month; volume is managed together by priority.

Agency, or freelance?

If you're after a single catalogue, a single poster or one specific job, Selçuk Aker does that individually: project-based, one role, direct. Creative House means continuous production — running every month, accumulating brand memory, with several disciplines in one team. Two different needs; an agency structure is unnecessary weight for a small job.

For freelance graphic design, see selcukaker.com.tr ↗

Frequently asked

Do you handle printing too?
No. I deliver print-ready files after a technical check: colour profile, bleed and resolution included. Choosing the printer and procuring the print stays with you; I'll support you on the technical questions the printer asks.
How many designs per month?
I don't commit to a fixed number. Monthly capacity and priority are managed together; when an urgent campaign appears, the order changes. Rather than quoting a number, I prefer to set a predictable pace.
Do we get the source files?
Yes. Source files are delivered in an organised way; being able to pick a job back up a year later is part of the work.
Can we work together on a single catalogue?
For one-off jobs, individual work is the better frame. Creative House is built on continuous production and protecting the brand language; setting up an agency structure for a single job is unnecessary weight for you too.
How is the project estimate scoped?
Original designs and adaptations are separated. Formats, copy, assets and approval responsibilities are identified. One-off projects and ongoing production need different plans; deliverables and priorities are agreed for either arrangement.

Guides on this subject

Related services

Let's talk about the production plan

Let's map your annual production needs and their priority order together.

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You don't have to know exactly what you need.

First I look at your company, your goals and what you already have. We identify the real problem together, then I bring in the right team.

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