selcukakerThe same strong creative direction at every touchpoint.
The hard part of graphic design isn't making one piece look good; it's speaking the same language on the tenth. At Creative House, graphic production runs as a continuous service: from campaign visuals to catalogue spreads, presentations to packaging, every piece comes out of the same brand memory. That's why the work doesn't look like strangers when placed side by side.
Who this is for
- Organisations with ongoing design needs who don't want to find a new supplier each time.
- Marketing teams whose production load spikes during campaigns.
- Brands struggling to keep print and digital speaking the same language.
- Companies heading into an intense production period: a fair, a catalogue, a launch.
What I usually find
- Every job goes to a different designer, so the brand language slips a little each time.
- Print files aren't technically ready, and surprises appear at the printer.
- There's no presentation or document template; everyone rebuilds their own from scratch.
- Source files are scattered; last year's work can't be picked back up.
- Each channel gets its own visual for the same campaign, none aware of the others.
Scope and deliverables
Monthly volume and priority order are agreed together.
- Campaign and advertising design, with adaptations for digital and print channels.
- Social media visuals: post, cover and story layouts.
- Catalogues and brochures: page layout, grid system and print-ready files.
- Presentations and infographics: corporate presentation templates and data visualisation.
- Packaging design: surface design and print file preparation.
- Corporate materials: document templates, business cards, stationery layout.
- Channel materials: roll-ups, exhibition stand graphics, billboards, vehicle wraps, flyers.
- Source file order: work delivered so it can be found and reused.
I make the call; the system speeds it up
Creative direction and the final design come from me. The AI team gathers references, drafts copy, prepares size and channel variations and runs file checks. Volume can rise during a busy period while the design language still comes from one pair of hands.
Meet the AI teamGraphic production work
Below are catalogue, channel and campaign productions. Each detail page states the scope.
Catalogue & Brochure
Pedaş Catalogue
Design work produced for the Pedaş catalogue.
Billboard
Billboard Designs
Billboard designs for outdoor advertising.
Trade Show Stand
Trade Show Stand Designs
Trade show stand concepts and graphic applications.
Roll-up
Roll-up Designs
Roll-up designs for trade shows and events.
Vehicle Wrap
Vehicle Wrap Designs
Vehicle wrap designs for commercial fleets.
Catalogue & Brochure
Westview
Catalogue design produced for Westview.
How it runs
01
Brief
Purpose, channel, dimensions and deadline are collected in one place.
02
Direction
For a new campaign, direction work comes first; for ongoing production, it ties into the existing language.
03
Production
Design, revisions and channel adaptations.
04
Technical check
Colour profile, bleed and resolution checks on anything going to print.
05
Delivery and archive
Ready-to-use files plus organised source files.
What I don't do
Saying where production ends makes the work easier.
- I don't take on printing; I deliver print-ready files and printing procurement stays with you.
- I don't shoot photography or video.
- Purchasing stock image licences is a separate line item; I don't use unlicensed imagery.
- One-off freelance graphic jobs aren't what this agency service is for.
- I don't commit to a fixed number of jobs per month; volume is managed together by priority.
Agency, or freelance?
If you're after a single catalogue, a single poster or one specific job, Selçuk Aker does that individually: project-based, one role, direct. Creative House means continuous production — running every month, accumulating brand memory, with several disciplines in one team. Two different needs; an agency structure is unnecessary weight for a small job.
For freelance graphic design, see selcukaker.com.tr ↗Frequently asked
- Do you handle printing too?
- No. I deliver print-ready files after a technical check: colour profile, bleed and resolution included. Choosing the printer and procuring the print stays with you; I'll support you on the technical questions the printer asks.
- How many designs per month?
- I don't commit to a fixed number. Monthly capacity and priority are managed together; when an urgent campaign appears, the order changes. Rather than quoting a number, I prefer to set a predictable pace.
- Do we get the source files?
- Yes. Source files are delivered in an organised way; being able to pick a job back up a year later is part of the work.
- Can we work together on a single catalogue?
- For one-off jobs, individual work is the better frame. Creative House is built on continuous production and protecting the brand language; setting up an agency structure for a single job is unnecessary weight for you too.
Related services
Let's talk about the production plan
Let's map your annual production needs and their priority order together.
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